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      <image:title>death's futurity</image:title>
      <image:caption>OSPAAL/ Rafael Morante, Power to the People George, 1971, screenprint, offset, 34x53”</image:caption>
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      <image:title>exhibition + catalogue essays - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>exhibition + catalogue essays - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>exhibition + catalogue essays - Make it stand out</image:title>
      <image:caption>Jack Whitten: The Messenger</image:caption>
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      <image:title>exhibition + catalogue essays - Make it stand out</image:title>
      <image:caption>Rashid Johnson</image:caption>
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      <image:title>exhibition + catalogue essays - Make it stand out</image:title>
      <image:caption>Beneath Tongues, installation view.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/864bef7e-bb8b-464d-9952-75ad2868d688/Screen+Shot+2021-12-14+at+11.11.48+AM.png</image:loc>
      <image:title>exhibition + catalogue essays - Make it stand out</image:title>
      <image:caption>Photo Credit: Blondell Cummings, “Chicken Soup,” gelatin silver print. Photo: Kei Orihara. Courtesy of The New York Public Library.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/4fbb9d0e-d73c-42bc-8dea-476e6957512b/76b8be01-installation-view-betye-saar-serious-moonlight-at-ica-miami-015_08-525x350.jpeg</image:loc>
      <image:title>exhibition + catalogue essays - Make it stand out</image:title>
      <image:caption>photo credit: installation view, Zachary Balber</image:caption>
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    <image:image>
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      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Elijah Pierce, Elijah Escapes the Mob, c. 1950s.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541786765578-2GC3L7WI9BAUD96C5B19/sable+install+website.jpg</image:loc>
      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Installation view, Sable Elyse Smith, Ordinary Violence</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541786990771-L0UYBS66Y6TX5JEBYRXH/rashid+website.jpg</image:loc>
      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Installation View, Rashid Johnson, No More Water</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541803776443-USW7D8YTMWXBZLHV26JK/pindell+for+website.jpg</image:loc>
      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Howardena Pindell, Video Drawings: Baseball, 1975</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541880523688-2ZRUMVVMLORT8KDZ3KYX/everywhere+studio+for+website.jpg</image:loc>
      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>The Everywhere Studio, Institute of Contemporary Art, Miami, Dec 1, 2017–Mar 4, 2018</image:caption>
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    <image:image>
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      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Evidentiary Realism, NOME Gallery, Berlin, December 2-February 17, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541882715013-L6KSKX42MYQHXENDWN51/black+owned+for+website.jpg</image:loc>
      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Black Owned, Patrick Martinez, Neon 20.5 x 26 inches, 2016, Edition of 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541883441346-UOF3Y5P0J242NSLXA5RI/01_Exhibition_View.jpg</image:loc>
      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Installation view Dear 1968,…, Sadie Barnette, UC Davis Art Museum, 2017</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541911422711-KQTN8TSQLD3WY6GGI6HO/zulu+time+for+website.jpg</image:loc>
      <image:title>exhibition + catalogue essays</image:title>
      <image:caption>Kambui Olujimi, Untitled (detail), from the series T-Minus Ø, 2017 (detail). Digital print on cotton, 24 x 36 inches. Courtesy of the artist.</image:caption>
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    <image:image>
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      <image:title>exhibition + catalogue essays</image:title>
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    <image:image>
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      <image:title>exhibition + catalogue essays</image:title>
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    <loc>https://sampadaaranke.work/criticism</loc>
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    <lastmod>2018-11-11</lastmod>
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      <image:title>criticism</image:title>
      <image:caption>Sadie Barnette, My Father's FBI Files, Project 1, 2016. (detail) 180 laser prints, aerosol paint, family photograph</image:caption>
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      <image:title>criticism</image:title>
      <image:caption>David Hammons, Blind Reality, 1986, The George Economou Collection.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541948510595-SBZ63TGE2XQ15UAPZYXL/panthers+for+website.jpg</image:loc>
      <image:title>criticism</image:title>
      <image:caption>Kathleen Cleaver and Black Panther co-founder Bobby Seale (right) at a “Free Huey" rally in Oakland, California in the summer of 1968. Photograph by Howard Bingham. Courtesy of the Internet.</image:caption>
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    <lastmod>2018-11-11</lastmod>
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      <image:title>reviews</image:title>
      <image:caption>View of “Out of Easy Reach,” 2018. From left: Lisa Alvarado, Traditional Object 21, 2017; Lisa Alvarado, Traditional Object 15, 2014. Photo: Tom Van Eynde.</image:caption>
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      <image:title>reviews</image:title>
      <image:caption>View of “David Hammons,” 2016. From left: Untitled, 2014; Untitled, 2003; Smoke Screen, 1990–95; Standing Room Only, 1996; Basketball Chandelier, 1997. Photo: Tom Powel Imaging.</image:caption>
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      <image:title>reviews</image:title>
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  <url>
    <loc>https://sampadaaranke.work/deaths-futurity</loc>
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    <lastmod>2023-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/c97955c5-31bd-4afe-aa47-92f2f0327890/naomi+lee+for+website.jpg</image:loc>
      <image:title>sentiment &amp; sentience (special issue of women &amp; performance)</image:title>
      <image:caption>Naomi Lee, I DON’T HAVE TO DO NOTHIN’ BUT STAY BLACK AND DIE!, Multimedia collage, 2016</image:caption>
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  <url>
    <loc>https://sampadaaranke.work/https/comparativestudiesosuedu/people/aranke2</loc>
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    <priority>1.0</priority>
    <lastmod>2026-01-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/615c56e7-a8e5-410c-b032-a8e899f82f65/Aranke+Headshot+1.jpg</image:loc>
      <image:title>associate professor of art history and comparative studies</image:title>
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    <changefreq>daily</changefreq>
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    <lastmod>2021-05-04</lastmod>
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      <image:title>artist's books</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541785959130-8RKSDETH7LTKHVJTG7C8/ima+for+website.jpg</image:loc>
      <image:title>artist's books</image:title>
      <image:caption>Ima-Abasi Okon, Put Something in the Air: The E-s-s-e-n-t-i-a-l Mahalia Jackson Blowing Up DJ Pollie Pop's Chopped and Screwed Rendition of Wagner’s Ride of the Valkyries— Military-Entertainment Complex Dub [Jericho Speak Life!] (detail), 2017. Photo: Bartosz Kali. Courtesy the artist.</image:caption>
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    <loc>https://sampadaaranke.work/academic-entries</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2023-10-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/14d63416-39e3-4d07-a6bf-5469d7a11294/Screenshot+2023-10-24+at+1.10.26+PM.png</image:loc>
      <image:title>academic entries - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/fca20300-f66c-4afd-be27-385cf2014e4d/a+site+of+struggle+cover.jpeg</image:loc>
      <image:title>academic entries - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/e19403af-3f1d-41f7-b543-a117952daf88/Screen+Shot+2021-12-14+at+10.28.47+AM.png</image:loc>
      <image:title>academic entries - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/157476af-3e21-4ab0-9d8e-a55a890b1f7d/how+to+see+like+hammons.png</image:loc>
      <image:title>academic entries - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1612284057919-NR15R61PB2CMJAZ79RJF/Screen+Shot+2021-01-20+at+4.33.33+PM.png</image:loc>
      <image:title>academic entries</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1610130967264-GCWQ8QOB0MV98HNSDW70/Aranke-+Blackouts+and+Other+Visual+Escapes+copy.jpg</image:loc>
      <image:title>academic entries</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1598817578513-8P8Z9R7E5P8P9DRONW1C/bag+lady+in+flight.png</image:loc>
      <image:title>academic entries</image:title>
      <image:caption>David Hammons, Bag Lady in Flight, c, 1975-76 (reconstructed 1990). Shopping bags, grease, hair. Photo by Ed Glendinning. Courtesy of the Eileen Harris Norton Collection.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1598817027496-SN94SK94Z6B4UD8VH2WX/for+website-+APA.png</image:loc>
      <image:title>academic entries</image:title>
      <image:caption>“Dossier: Afro-Pessimist Aesthetics,” ASAP/Journal 5.2 (May 2020)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1580261551101-XX1BC1CMI2F13N3O5OBO/Aranke_CoverImage-576x369.png</image:loc>
      <image:title>academic entries</image:title>
      <image:caption>“Dark Descriptions of Black Appearance,” Periscope: Social Text Online (January 2020)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1556119685962-8W89Y2C5L6F0C64YFJ9F/Screen+Shot+2019-04-24+at+10.27.15+AM.png</image:loc>
      <image:title>academic entries</image:title>
      <image:caption>Selva Journal, Issue Zero, April 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541949150302-T7MWRM72VOU7L29TY8W6/white+for+website.jpg</image:loc>
      <image:title>academic entries</image:title>
      <image:caption>Charles White, General Moses (Harriet Tubman). 1965. Ink on paper, 47 × 68" (119.4 × 172.7 cm). Private collection. © The Charles White Archives/ Courtesy of Swann Auction Galleries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541948925990-W9MEFDJKD6TST80S1HYO/all+power+to+the+people+wall.png</image:loc>
      <image:title>academic entries</image:title>
      <image:caption>Film still from The Murder of Fred Hampton, 1971, dir. The Film Group, distributed by Facets Multimedia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sampadaaranke.work/collapse-recent-works-by-dewey-crumpler</loc>
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    <priority>0.75</priority>
    <lastmod>2018-11-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541957942251-QI4NJN4VAEN06CSJL8SB/HedreenGallery_yck_CollapseDrewCrumpler_017_1.jpg</image:loc>
      <image:title>collapse: recent works by dewey crumpler</image:title>
      <image:caption>Dewey Crumpler, Untitled 1, 2017, Acrylic, gold leaf, mixed media on canvas, Hedreen Gallery, Photo by Yosef Chaim Kalinko, Seattle University</image:caption>
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  <url>
    <loc>https://sampadaaranke.work/collapse-recent-works-by-dewey-crumpler-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-11</lastmod>
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      <image:title>dimensions of black</image:title>
      <image:caption>Horace Washington, Untitled (Mask), 1988. Cast concrete with wire, 15 x 12 x 4 ¾ in. Fine Arts Collection, The Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis. Gift of Thomasin Grim and Michael S. Bell, in Memory of Joseph A. Baird, Jr. Photo/Douglas Sandberg</image:caption>
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  <url>
    <loc>https://sampadaaranke.work/dimensions-of-black</loc>
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    <lastmod>2018-11-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1541961414956-FCBIZHXGW3Z1RV02KTDL/fabri+for+website.jpg</image:loc>
      <image:title>unstable objects</image:title>
      <image:caption>Zachary Fabri, Untitled (Small Black Vinyl), 2017, vinyl on plexiglass, 8” x 10”</image:caption>
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  <url>
    <loc>https://sampadaaranke.work/feel-me-1</loc>
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    <priority>0.75</priority>
    <lastmod>2019-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1568167206169-1OPWQCVXBITPTJCKPIX5/post%2Bcard%2Bimage%2BV2cropped.jpg</image:loc>
      <image:title>feel me?</image:title>
      <image:caption>Top Image: Sadie Barnette, Untitled (Cans), 2018, metal flake onaluminum cans, image courtesy of the artist/Charlie James Gallery Bottom image: Tina Takemoto, Arm’s Length, 1995, mixed media, image courtesy of the artist.</image:caption>
    </image:image>
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  <url>
    <loc>https://sampadaaranke.work/fall-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-16</lastmod>
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  <url>
    <loc>https://sampadaaranke.work/spring-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-01-29</lastmod>
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  <url>
    <loc>https://sampadaaranke.work/news</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/20554239-f727-42c6-b39f-1fb6919068e7/MLA+Death%27s+Futurity.jpg</image:loc>
      <image:title>recognition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/345e612f-eefd-4b4f-823b-c8624432f5eb/Screenshot+2023-10-26+at+1.19.04+PM.png</image:loc>
      <image:title>recognition - Make it stand out</image:title>
      <image:caption>Under the Cover, October 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/08a5c3eb-d3f5-4567-a14e-a584e1ce3f13/artforum+2023+cover.jpeg</image:loc>
      <image:title>recognition - Make it stand out</image:title>
      <image:caption>Detail of Emory Douglas’s back cover for The Black Panther, April 3, 1971. Bobby Hutton. © Emory Douglas/Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/780d4c71-b073-44c6-a95c-d5976589f00e/unnamed.png</image:loc>
      <image:title>recognition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1613507241635-D8R080XMJ16DLVE0636U/Screenshot_20210216-122535.png</image:loc>
      <image:title>recognition</image:title>
    </image:image>
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  <url>
    <loc>https://sampadaaranke.work/kemp</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1619366921598-W45J1CUQY0XH5EBMFJPM/Manetti1190-min.jpg</image:loc>
      <image:title>arnold joseph kemp: I would survive. I could survive. I should survive.</image:title>
      <image:caption>Installation view</image:caption>
    </image:image>
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  <url>
    <loc>https://sampadaaranke.work/henderson</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/b81fd86e-acba-4deb-b78c-c02d99e857de/MH.Miss.1978+%281%29.jpg</image:loc>
      <image:title>mike henderson: before the fire, 1965-1985</image:title>
      <image:caption>Mike Henderson, Miss, 1978, mixed media on shaped canvas</image:caption>
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  </url>
  <url>
    <loc>https://sampadaaranke.work/feel-me-1-1-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1619366921598-W45J1CUQY0XH5EBMFJPM/Manetti1190-min.jpg</image:loc>
      <image:title>arnold joseph kemp: I would survive. I could survive. I should survive. (Copy)</image:title>
      <image:caption>Installation view</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sampadaaranke.work/crumplercushionworks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/574b6d48-fce4-4b19-8b44-c1f3382390e7/dewey+cushionworks.jpeg</image:loc>
      <image:title>dewey crumpler: the complete hoodie works, 1993-present</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sampadaaranke.work/crumpler-derek-eller</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/2ba423a0-4c32-45dc-9b3b-ae3a5c73b527/crumpler+hoodie.jpeg</image:loc>
      <image:title>dewey crumpler: painting is an act of spiritual aggression</image:title>
      <image:caption>Dewey Crumpler, Space Is!, 2021, acrylic and glitter on canvas, 16 x 20 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sampadaaranke.work/deweycrumplerlifestudies</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/1a186aec-2b63-47d8-8380-a45b4e0c6475/crumpler+bananas.jpg</image:loc>
      <image:title>dewey crumpler: life studies</image:title>
      <image:caption>Dewey Crumpler, Green Bananas, 2017, acrylic and metal leaf on canvas, 60 x 72”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sampadaaranke.work/ayanah-moor-under-cover</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/0c7648f3-b2ed-4b1c-9254-29e016d021ee/keep%2C+keep+on.jpg</image:loc>
      <image:title>ayanah moor: under cover</image:title>
      <image:caption>Ayanah Moor, Keep, Keep on, 2022, Acrylic and latex on wood panel, 48 x 60 in. Photo: Robert Chase Heishman. © Ayanah Moor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sampadaaranke.work/features</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-28</lastmod>
  </url>
  <url>
    <loc>https://sampadaaranke.work/mike-henderson-before-the-fire-19651985</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5be4e74431d4df4cfa86f9e0/526f86fb-8865-428c-baff-0695fabe9a46/henderson+cover.jpeg</image:loc>
      <image:title>mike henderson: before the fire, 1965-1985</image:title>
      <image:caption>OSPAAL/ Rafael Morante, Power to the People George, 1971, screenprint, offset, 34x53”</image:caption>
    </image:image>
  </url>
</urlset>

